Urban Pioneers – Vehicle in Transit

Doing a review for an album that your friends recorded is always hard. You want it to be good, so you don’t need to be an asshole and look for words or phrases to describe it, so it doesn’t come out that bad… In this case that was not the deal.

If you’re reading this blog you should have heard the names Liz Sloan and Jared McGovern more than once and you should have seen them on stage with one or another band in the past. And you should be aware of the musical quality these two wonderful folks have to offer.

Before I really start this review I want to take a trip down memory lane…

For those that have seen Liz when she was playing with Bob Wayne, would you have thought that she would ever sing a note? Or even more recent, her first European tour with the Broken Band… If not for her fiddle, she looked so shy, the microphone was her biggest enemy… A year later she comes back with that same band and “hey, that girl can sing” was what we where all thinking. Even if she was still in the background, her voice had this special place in the sound of the Broken Band and I knew some day it would be her time to shine, apart from her fiddle playing.

Then we have Jared, the wild man, slapping’ his bass like a maniac and screaming where screams were needed… A bass player, doing what he was supposed to do, providing a beat in a drummer-less band… Oh c’mon this guy can’t write a song or sing a tune, he’s wild, he’s a bass player, after the show you put him in his cage and feed him a banana… (this is not my opinion, this is just me writing, don’t get upset… it’s meant to be funny…)

Last year they proved us all wrong, Liz and Jared being in a relationship, provided us with an excellent debut album on which they showed the world they could stand on their own feet. And for an album that was born out of not touring, boredom and Jared learing a new instrument, it sure made an impact.

“Addicted to the Road” was a good debut record and if you have even half of a musical ear, you knew that these two had more to offer. With “Vehicle in Transit” they took that step forward. It’s a pretty traditional album, no punk, no screaming, no big anti this or that lyrics. Just pure songs, recorded with friends about life and what makes us tick.

The record opens with “75 Southbound Blues” and with just this one song they show you what the album is all about. Sing-a-long lyrics, uptempo tunes and great musicianship. Old time music played from the heart with a modern sound.

After “Something That’s Never Been Done” we get “Chocolate Easter Bunny” and it’s a damn funny song originally by Phil Hummer, about how we buy, use and throw away stuff in our modern nowadays society.

“Tennessee Moon” with Mister James Hunnicutt on backing vocals sounds like it comes straight out of them good ol’days, when country music was country music (I have no idea what I’m talking about…, it’s just a great song).

In “Walk This Earth” we get a whole lot of Liz’s beautiful voice, I’m not sure what, but there is something about her way of singing. It sounds old, not old like an elderly woman, but old in soul. It’s a love song and a damn good one. Is it cheesy? Not really, it’s lovey dovey, but c’mon, from time to time even the most hardcore badass needs a little loving and that’s just what this song provides.

When listening to this album you start to think if it’s autobiographical, “Found out about You” is one of those songs that may trigger that feeling. One can only imagine how it is to be on the road with the one you love and have little to no privacy, every step you take, every drink you drink, folks see you and talk about it… It’s a real honky-tonk song and that electric guitar takes it to a higher level.

“What Takes a Woman” throws me back a couple of years and to every day I spend with my wife… The Broken Band came over for dinner at our place and just after, Liz disappeared into our bathroom, an hour and a half later… No Liz… “C’mon girl, we need to be going, got a show to play”! Minutes later she walked into the livingroom looking all purdy and sweet. Yeah boys, that’s what they do it for. For us to shut the hell up and be like… “damn, I love that girl…” That’s what Liz does, that’s what my wife does, that’s what they all do, and we as dumb caveman love them and forgive them instantly! Oh and it’s also a good song about the difference between the sexes. I forget sometimes this is a review…

Up next we get a great swing song by the name “Ballad of Charlotte and Charlie” on wich Liz and Jared get the help from Keith Roberts from Call me Bronco. If you have been on the road as long as these two have, you make good friends and you know what’s even better than good friends? Good friends that can play great music! It’s the darkest song on the album about a man loving his wife so much that he is prepared to die for her. Fellows, if you feel like this about your girl, she’s a keeper or just a heartbreaking bitch, that’s up to y’all to figure out.

Further down the road we come to “Praying for Rain”, another country diddle that moves by slowly like an almost dried up creek, could be the one that’s mentioned in the song. The atmosphere created by the music perfectly fits the lyrical theme and you almost feel sad for the protagonist.

There’s two traditionals on the record, the first one is “Big Spike Hammer”, but it’s on “Kitchen Girl/June Apple” that our fierce pioneers go all out. Stretching it to a six-minute plus epic piece of music. Starting the song and keeping it close to how most of us know it, but when notes go by, the tempo goes up and it turns into something we would expect from The Broken Band. These are two separate songs blended into one perfect gift to the audience. A party song pur sang!

“Just Over The Horizon” brings us to the end of the album, and if the phrase, going out with a bang, ever had a meaning, it’s this song! I’m damn sure this song came into existence when they where touring with The Freeborn Brothers from Poland. The Eastern European/gypsy vibe can not be denied. And for me this was the highlight of the album, but that can be because I’m European and somewhere, deep inside, there must be some gypsy…

Some additional info: The album was recorded at Electric Eye in Pittsburgh and comes with amazing cover art by Christoph Heuer, who you should know from the Muddy Roots posters and the video he did for The Tillers. It will be released on Roots Union Records in a few weeks.

 

http://urbanpioneersmusic.com

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s