Sunday, June 28th we had the pleasure of having them Carrie Nation boys over at our place. We did an interview and they played 3 songs in our back yard. Later that day they played a show at the Irish pub in Diest. After the show they crashed at our place, the Beagles sure loved it…

 

 

Waking up sunday morning was hard… Real hard… All this fun, drinking, and goofing of with old and new friends was getting to me. I’m only 34, but I’m sure as hell not 16 anymore. But hey, the show has to go on! Due to the fact I was having a hard time getting trough the day there is not as much video as I wanted. My sincere apologies for this.

Viva Le Vox kicked of the party at 1 PM, but for me personally,  they deserved a spot way higher on the schedule. I mean, this is party music, and 1 PM is to early to party… I’m not saying that there where bands that had to be lower on the schedule, it’s just… Aaarrgghhh fuck it! Viva le Vox kicks ass, that’s all.

Our buddy and good friend Lou Shields was up next and he always puts a smile on my face, on and of stage. There’s just something about him. He has a new album coming up, so keep your eyes open for that one! Oh and enjoy the dancing skills Cris from S.S. WEB is demonstrating next to the stage…

Sunday was going to be a little more traditional musical wise then the previous days and with Owen Mays, Jason booked the perfect guy to serve us some old school country and Honky Tonk tunes. We had been hanging out with Owen, well Owen had been hanging out with us at our camp, and he played us some songs the days before together with Jo from Black Cat Bone Squad during a late night jam session, so we made sure not to miss his set! I remember him walking up to camp on sunday morning with a smile from ear to ear with the great news that Liz Sloan would be joining him and his boys on stage for the entire set. And what a set it was…

The Hooten Hallers!!! The FUCKING HOOTEN HALLERS!!!! Holy Crow!!! Most folks had no idea who they where, but did they make new fans and friends, yes SIR! With John on guitar, Andy on drums and Kellie on bass sax they put down a totally original sound that grabs you by the balls and makes you dance. Could we describe them as Morphine on swamp gas? Maybe we can, but there is no need to compare them to any other band, these are The Hooten Hallers, and The Hooten Hallers are The Hooten Hallers… Hooten Hallers, I just love to say Hooten Hallers…

After this I was done filming, I was tired, I needed to relax my shoulders and my back. I did get to see some more good shows. But most of the time I used sunday to hang with friends and family. We hope to see you all again next year, and some of you in a two months in the states!

We did an interview with James Hunnicutt at our place two days ago after he played a radio show here in Belgium. It’s uncut, just two people talking… Enjoy!

Day two started with a hangover. But be honest, what did you expect? Carrie Nation dropped a bomb on us and the party didn’t stop after Beatman ended his set. We went back to camp to find a bunch of drinking buddies, artists and friends all hanging out together. So Saturday had a slow start… But after a good breakfast, some personal care taking and a first beer we where ready for round two!

S.S. WEB played their first official European show and damn… I’ve seen a bunch of guys hit a washboard, but Cris Bissell is something else! Together with Henry Berger (who we’ve seen on tour with The hangdog Hearts)  he makes a dynamic duo to which Batman and Robin look like a bunch of pussies… And thank you Uriah for saying hello to us European folks (we still love you…)

The Freeborn Brothers from Poland played their second show at Muddy Roots Europe. And they just get better and better, hobo blues trash grass? Who cares, it’s all about the party… They’ll play Muddy Roots in Cookeville this year, and let me tell you this my American friends: “Get ready, get dirty, get hot, The Freeborn Brothers will clean your soul!”

No James Hunnicutt, No Muddy Roots! Simple as that! So James was here… Who cares? WE ALL DO!!! He had some tricks up his sleeve this year. Just watch the video…

The Urban Pioneers where up next and I have to say that their sound and songs got so much more powerful now they play as a four piece band. I loved them as a duo, I loved them as a trio, but now they got that extra punch that takes their songs to a higher level. This also leaves more room for some fun on stage without losing the flow of the song. And before I forget, STAGGER IS THE MAN!!!

What to say about the Goddamn Gallows? They are a bunch of stinky, sweet, kind-hearted fellows that love to have a good time on and of stage. They are a bunch of guys that I’m proud of to know personally. Not because they are the Gallows, but because they are honest and in your face and well… They have a few good songs… 😉

Muddy Roots Europe is over for yet another year… But don’t feel sad about it, next year is not far away. And you can always come to Cookeville! If you can’t wait for any of this, most bands are still playing all over Europe as we speak…

For now you’ll have to be happy with these video’s. We start with Them Old Crap. These guys came all the way from Brazil to have a party with us. I don’t think there ever was an opening act at Muddy Roots on a friday with such a big crowd. ENJOY!

For us Dylan Walshe was up next. We missed some bands because we had friends to hug, people to talk to and have some drinks. But I’m sure you’ll like this footage of Dylan. He’s an awesome guy with a voice that can make demons cry…

Bruno Esposito a.k.a. Lone Wolf OMB, party animal, international rock star, friend and most of all a damn good musician! We have been hanging out the last couple of weeks and this guy is a handful and that’s why we love him. “Can’t talk Bruno… I’m to drunk…”

On this first day of the festival there was one band everyone was talking about. Carrie Nation and the Speakeasy, expectations where high as fuck and the boys knew. What happened next was nothing less then a huge dance party. People where dancing their ass off!!! It was beautiful… I shot the first 5 minutes from the pit, so it’s a little shaky…

Some time ago I bumped into Darren Deicide while surfing the web. He instantly grabbed my attention with his music and, while looking further into him, also as a person. “This guy, now that’s something we don’t see everyday in this “roots” scene”, was what I was thinking. I got in contact with him and from one thing came the other…

Some weeks later I got his EP “Bomb This Joint” in my mailbox. This little slap of vinyl has been doing rounds on my turntable for a while now, and it gets better every time I play it. The title track is a wild footstomping piece of rhythm and blues punk that will make you wanna dance like you’re possessed by the devil himself. It sounds simple and repetitive at first, but it’s so effective. And when those hand claps come in… they just hit the spot! On the B-side we find “Hudson River Hangover” A slow-moving song with a deep impact. Darren only plays the most essential strings on this and it gives the song a dark and minimal feel. It has a certain threat coming towards you, a feeling something bad is going to happen soon… This ep, as all other ep’s, is way too short and leaves you hungry for more. So I suggest you all go to Darren’s website and order his music. You can also find him on Spotify, but please buy directly from him, we all know why…

Now enjoy the interview.
1. First things first, please tell our readers who you are, where you’re from, what you do in daily life…
I’m Darren Deicide. I reside in Jersey City, New Jersey though I’m originally from Chicago. I guess you could say that I’m a devotee of a certain thread of music tradition, that which comes from the tradition of diabolical Americana. Its influence has spanned decades and been in a constant state of evolution, and it has been great to be a part of it in any way, whether it’s playing my music, archiving music from the past, getting people to swing, or anything in-between.

2. Darren you play as a solo artist now, did you play in other bands before? Who was it, what did you play? Or have you always been a lone wolf?
I actually grew up playing piano, though I never did any public performances beyond recitals. I then picked up guitar. Like any good rebellious teen, I’ve played guitar in a slew of mediocre punk bands that mostly aren’t worth mentioning. I’ve also dabbled with other musicians, but musicians are a notoriously flakey group of people. It’s very rare when one finds a deeply creative individual who isn’t a mental basketcase, or conversely a competent, sane person who isn’t completely conventional in their approach to music. For whatever reason, the parts of a human brain where organization and expression are strongest don’t seem to wire together often. I may not be an exception to that either. So, yes, I’ve been mostly a lone wolf, however I’m starting to work more with other musicians. For example, I recently wrote a song with Nathan Gray, the lead singer of Boysetsfire, called “My Star-Spangled Banner” and I think it’s great. My crystal ball tells me that more of these types of collaborations are in the future.

3. While your 2006 album “Temptation and the Taboo, part 1” had a more “atmospheric” sound you now play a more lo-fi, primitive form of, let’s call it, “blues”. Why is this? Did you want a more head-on, confrontational sound? More like your live shows, raw and in your face?
I actually did a demo before “Temptation and the Taboo, Part 1” that was probably the most raw thing I’ve ever done, and it was pretty under-developed in retrospect. But those are the breaks when you’re exploring a musical voice. “Temptation and the Taboo, Part 1” was an early experiment in conceptualism, but I never thought it was particularly far off from my live sound. It has been a guiding ethos of mine to keep my music rather organic. Part of me, indeed, wants to replicate what I do live. There’s nothing more annoying than seeing an artist live, wanting to take their music home, and then finding out the recording is a fictionalization of what they do. It can make you feel like you bought a goose egg, and I consider it a type of false advertising. But it’s also what people who understand my music want. I hear it a lot. People come up to me and say, “Make sure you keep that rawness that you have. That’s what I like about what you’re doing. It’s real.” And while “real”, in most contexts, doesn’t mean anything, I know what they’re getting at. Double-tracked, auto-tuned vocals with ridiculously reverbed snare drum and synthetic violins seems to be the order of the day, and a lot of people are sick of the overproduction and lack of subtlety. Some people are really yearning for the physical again. They want to reacquaint themselves with fleshly experiences and their primal selves, so a lot of them are looking for more ways to unplug from this hyper-connected world. A lot of psychologists and sociologists are just starting to measure the evidence about what this constant exposure to connectivity does to our brains. Many people can’t focus or be present, they feel atomized and isolated, and then they wonder why they feel so miserable. It has been quite stark to witness, especially with younger people who come to my shows. Many have no idea what it’s like to grow up without an instant connection to the social hivemind or what it’s like to be totally immersed in the present environment of a music aesthetic without the option of outside distractions. Some are simply addicted to their phones and have no social skills. I think something about roots music is a breath of fresh air to many, and the rawness is just reflective of that.

4. If it were up to you, whom of todays artists, would you like to record a song/album with?
There is so much bubbling right now that I’m constantly surprised by something I’ve never heard before. I’m not going to presumptuously assume I’d creatively mesh with anybody. One of my favorite artists is Edgefield C. Johnston over in St. Louis. He’s an amazing poet and truly one-of-a-kind. I re-wrote an old demo song I’ve been holding on to named “Static”, and he does this great segue during it. It’ll be on the future album.

5. Is there a new full album on its way? And if so, what can we expect? Just you, or are you going to work with other people?
Yes, there is! I don’t want to burst too many bubbles yet, but let’s just say that I’ve been doing a lot of behind-the-scenes work to lay the foundation for it, including talking to record labels, producers, and lots of people in-between. I think every artist thinks their most recent work is their best, just because they’re more currently attached to it, but I have to say, I really think this is my best music yet. I’ve been playing a lot of these songs live, some for over a year now, but I just haven’t put them to a recording. There have been a lot of setbacks between “The Jersey Devil is Here” and today, including a serious injury I had to deal with. But I’ll be in the studio and I’ll have more news by the end of the summer.

5. Is it fair to call you a “nerd” on American music? Not being disrespectful, but you really love the history of American music don’t you?
It isn’t exactly unfair. It is true that there is nothing that moves me more than Americana. America is an inspiration. Sure, it has issues. Human beings are nasty creatures, so their foibles will always taint any society. But in some respect, a culture is a reflection of a society’s ideals, and the American revolution established many incredibly admirable ideals. Well, its culture has reflected that promise, along with the honesty and joy that is so unique to American sensibilities, whether it’s in the indulgent horn section of a swing band, the surreal landscape of the blues guitar, or the bleak tragedies of country romanticism. And the list goes on. Americana is so influential that we see other countries taking those traditions and tossing them back at us in new variations. I welcome the ante up!

6. Can I label you as a neo-traditionalist? I’m not talking about “rockabilly guys that wish they where teenagers or in their early 20’s in the 50’s, but can’t live without their Iphone”. I get the feeling you are person that takes pride in being a gentleman, somebody that takes pride in who they are, where they come from and what they are doing. Somebody that loves doing things hands on, not wait around and hopes things will “work out”… A person that takes on life as it comes and makes the best, without crying about the things that could have been.
I’ll let others be the judge of that. I’m not one to easily slap labels on myself.

7. As the host for Agent Provocateur, your online radio show, you take on everything that’s going wrong in this world. you don’t take a political stand, but you give your opinion. You say what you think and what you want. How big is the shit storm that hits you when you take on these items?
It really depends on the issue. Take for instance my analysis of Zionism. By far, out of any subject I tackled, that produced the most feedback, for and against. But the people who disagreed came out like roaches and boy, were they persistent. I titled that episode “Zionism’s Free Pass Gets Revoked”. It pointed out what a fundamentalist movement Zionism actually is and pointed out how, like any fundamentalist movement, once it gains state power, it sprouts into a totalitarian, criminal political power. That’s nothing particularly controversial. The UN and most people outside of the American-centric worldview wouldn’t be shocked. But I was bombarded with e-mails from people, and, surprise, surprise, many had personal ties with Israeli special interest. Now, take a look at the episode archive and you’ll see that some episodes later I did another entitled “Saudi Arabia’s Free Pass Gets Revoked”. Again, what I said wasn’t particularly controversial to anyone who has been paying at least a moderate amount of attention to the world beyond their navel. The structure of the analysis was essentially the same as the episode on Zionism, but instead I dissected Wahhabism, Saudi Arabia, and America’s close relationship to it. The difference in response was dramatic. I heard nothing, not a peep. Seriously, I didn’t even receive a single email or comment. Americans have deeply internalized double-standards that most aren’t questioning, with favoritism towards Zionism being an obvious one.

All moral systems are derived from political power. In that sense, might makes right. A major point of “Agent Provocateur”, besides indulging in my humorous side, is to question the legitimacy of some of those systems. This is a Satanist here, someone who has entirely rejected the notion of divine authority, the presumably greatest authority of all. Bowing to irrational pities or just accepting the face value of common narratives is not something I do easily, especially when it’s a matter of unquestioned and overly simplistic views on the world. Stupidity and hypocrisy works well for others, especially religionists and their allies, but I’ll pass.

8. You are a member, Warlock and spokesman for the Church of Satan, if so, how does this reflect on your music?
And how does this affect your personal life?
My music is a reflection of my thoughts and emotions which come from my experiences. My experiences are dictated by my life choices, and my life choices come from my approach to the world. My approach to the world comes from my ethos, which can best be described as Satanic. I assume it would work that way for any Satanist who creates art.

9. Does the fact that you are open about your affiliation with the CoS hold back your musical career in any way? And what are your feelings about this matter?
If my affiliation is something that would steer some away from my music, then Satanism is doing exactly what I want it to do, and that just tickles my underbelly. Scholarship suggests that a lot of the blues pioneers were accused of being in league with the devil during the nascent days of the blues. Most took the approach of being defensive, insisting that they were God-fearing people. A smaller minority, like Robert Johnson or Tommy Johnson, took the opposite approach and associated themselves and their art more deeply with diabolism. Count me amongst the latter.

10. Do you consider music, and more important, your music, to be a “magical” thing? (lesser or greater)
Absolutely. Just come to my show, and we’ll see if my spells have any effect on you.

11. You make your own beer I have learned, tell us more about this. Remember, we are from Belgium and have a great beer history, we are very proud of this, but I have to say, while traveling the USA the last 3 years, I did get to drink some great American micro-brewery beers. So shoot!
First, let me say that I am a huge fan of Belgium’s beer culture, and though I have never been to Belgium, I have a life-goal to eventually play there, preferably surrounded by a crew of naughty, beer-drinking Belgians. I cannot disagree with you, Belgium. Your beer is absolutely fantastic.

I’ve been brewing beer for years, long before it recently became respectable in America. It’s a passion of mine, and I’ve entered home brews in international competitions, with really great scores. It’s gotten to the point where I just brew all my beer and rarely buy beer from a store. I make exactly what I like, often with harvested ingredients from my own garden. Why settle for anything less than what you want?

A lot of art forms have overlapping aesthetic judgments. Whether it’s music informing dance, dance informing fashion, or fashion informing sound, it all cross-pollinates to create total environments. Well, I’ve always found Americana interesting in that I feel that booze and Americana have had a unique relationship. I honestly think that some songs sound like or compliment a particular libation. It’s not something that gets talked about a lot, so this theory might sound strange. I’ll give you an example. I bet any fan of Americana can tell me what the sound of moonshine is. They probably wouldn’t jump to say the Chick Webb Orchestra. That’s more of a dry martini kind of band. Even a smooth blues man like Josh White sounds a bit more like a very nicely aged bourbon. But an Appalachian bluegrass artist? Pass the jar and light the fire pit! I like to explore that overlap when I make beer or write music.

12. Can we get an exclusive? Or just some last words…
Sure. Give into temptation. It’s only your freedom.

Photo credit will be added when we get it from Darren.

http://www.darrendeicide.com

We teamed up again with The Pirate Farm Radio. As always this was a fun evening. It was good to see Lou and Bruno, hang out, listen to their music and ask them some questions.

This is what came out of it with Lou. We hope you enjoy it.

This was the first time we used two camera’s, so the editing is not great, but we’re learning more each time we try new things.

Lou and Bruno are on tour in Europe, so go see them!

Last saturday we had some friends over for dinner and a show afterwards… But before dinner and the show we did a little interview and made one of them play some songs for us and the rest of our guests… We had fun, and are gratefull for having awesome friends!

The 2015 edition of the Groezrock Festival promised to be a good one, not only for the line-up of amazing bands playing this year, but also because we know that the people running this festival take care of their visitors, fans and bands alike. Just before we went on our way I went out to get gas and the car just shut down on me at the gas station. This was not a good way to start our day! After some calls I got a tow truck too where I was stranded and guess what… The batterycable came lose… I felt like such an idiot. Whatever… We got there! We checked ourself in for our press passes and dropped our gear in one of the lockers at the press tent. We are at a festival, so we set our priorities, before we do anything, “let’s have a beer!”  While sitting our ass down in the sun we noticed the dude sitting next to us, this day was going to be good, Mister Nick Oliveri was thinking the same thing we where, priorities, remember…

Groezrock-14 Toxic Shock was the first band we went to see, and that was not a bad choice. These guys from Antwerp play fast trashcore, oldschool style. After beating cancer Wally is back on the frontline to tell you how your life sucks. Jobs you don’t want to do, kids you love but don’t want to spend time with and how growing up suck… DEAL WITH IT. They played the Back to Basics stage, wich means no front, no security… A paradise for stagedivers. Maybe it was the early hour, maybe it was the fact that I have only seen them in small venue’s but the crowd was a little méh… They played their hearts out, Wally was even climbing 10 meters up in the stagesetup… Except for the people in the front the crowd did not really respond, I don’t get it, it was a great show! Their song “Monday is cancelled” got me all fired up and I was ready for a weekend of mayhem and destruction (only thing I destroyed was my liver and my wallet…)

When The Dwarves play a festival it’s always a risk, are these guys gonna fuck it all up or is it going to be great? Who remembers the 20 minute show they played in Aarschot some years ago? Nick Oliveri walked on stage full monty and the crowd loved it before they even played a note. Blag was in a great mood and was ready for a party. Did The Dwarves invent rock n roll? No! Do they play it and make it sound so much better? YES! It’s always fun to see a band interact with their fans and when Blag got into the crowd he won the hearts of all there, he did lose his mic, but that’s not his problem. I did see some girls looking at Nick, wondering and hoping if he was going to follow Blag’s example… Don’t blame them for dreaming, besides being a great bassist he got something else pretty great to the dislike of many male fans in the crowd… I mentioned this before in a previous post, but if you want your punkrock PC, stay far away from The Dwarves. But if you just want to party, get drunk and have an awesome time this is your band! If you missed them, make sure it doesn’t happen again!

After The Dwarves it was time to hang out a little, meet up with friends, have a few beers and just enjoy the atmosphere. Groezrock is one of those festivals that are great to just be there, hang, drink wander around… Getting a beer mostly ends up in a chat with a stranger, even for a few seconds… We all understand why we’re here…

Groezrock-31I HATE AUSSIES!!! They think they are the best people in the world, they think they have the prettiest girls in the world, they think they have the best BBQ in the world and they even think they have the best beer in the world! Fuck ’em! My ex-boss was one and he’s a dickhead! (I’m just kidding, I love you Mike, and most aussies…) The Smith Street Band are according to the world-wide web a folkpunk band. I did not hear any folk… What I did hear was an indie punk band that knows how to write a song. This show was pure fun, for the people in the crowd, it was a big crowd, and for the band on stage. If they got payed for every smile they had on their face they would have been millionaires. One thing did bother me, if you’re playing at the Back to Basics stage, you know there will be people on stage diving and trying to sing along in the microphone. Don’t push them away, don’t get upset about it, they buy your records and merch. Be glad they want to be there with you and make this show what it is. I really loved this show, but for some reason, the image of the singer pushing away the girl who just wanted to sing along stuck with me.

Groezrock-67The next stop was Iron Reagan from Richmond, Virginia. Oh my god, what a party this was. Trash is back, that’s for sure. Hardcore kids going crazy on trash metal? Not when I was a kid. The mood was set right from the start, stagedivers everywhere and moshpits all around. I could see Nick Oliveri standing on the side of the stage approving it all with a big grin on his face. If there is one thing I like it’s an open mind and this band is the living proof that taste is a genre crossing thing. Nobody cares if you like punk, metal or hardcore, or should not care… Iron Reagan grabbed the crowd by the back of their neck and pulled them into a hurricane of noise and chaos. It was marvelous!

Groezrock-83We had no plans to go see Broilers, but I was a little curious about how a these guys would do. I was also convinced that the only reason they got booked for the festival was to get more Germans to the festival. But while Inny was shooting pictures frontstage, I got hooked on their sound. Catchy punk’n’roll, that you just want to dance to. I loved it! If these guys where not singing in German they would be huge world-wide!

Groezrock-104If there was one band I needed to see on this first day it was Social Distortion. The hours went by and my anticipation grew stronger by the minute. Was I expecting to much? Where they going to be a big disappointment? While my adrenalin went up, the temperature dropped, it was getting really cold in the field and the folks not willing to embark on this adventure with me started to turn home or to their tents in search of some warmth. I kissed Inny goodbye for her epic journey into the frontstage to shoot pictures of Mister Mike Ness… When I was a kid I didn’t like Social D, it was not hard enough for me, but with age comes wisdom and all of a sudden it spoke to me. These are just good songs! It took them some time to start and I was not getting drunk, but when they walked on stage and those first notes got played I got an instant high. A big smile on my face and I felt like I was the only one there. It was this good. Mike’s voice sounds better with age and the sound was spot on. They played as tight as a nun’s asshole and for a moment I was king of the world… 3 songs in I had to come down because I knew Inny was going to get kicked out of the frontstage with the rest of the photographers and finding one another in this crowd sucks. She came out frozen and in pain from taking pictures all day, and as Mike I’m a gentleman so I decided it was time to head home for the night.

The dogs where waiting to keep us warm and day two was just a few hours away…

This is an interview from months ago. Remember those others we did? Now that Austin is on tour in Europe, we thought it would be perfect to release this one. Austin doesn’t appear to be a funny guy, but he is, and this interview shows that. While his songs and devotion to his music are dead serious, he can be a goofball. We had the privilege to hang out with him on his last euro tour a lot and at Muddy Roots and thus became friends. If you live in Europe and he’s doing a show in your neighbourhood, go see it and take it all in. It could change your life… Enjoy…

1. Introduce yourself to our readers please.
My name is Austin Robert Lincoln Stirling. I rarely wash my pants. I want sweet tea.

2. On what record would you have loved to play? (any style, artist, whatever)
Mine. I didn’t get to play on mine. Everyone who played on the albums were hired studio musicians and they wore my clothes, slept in my bed, used my tooth-brush and drank my sweat tea during recording as to get a feel for my life. (Not true)

3. What is the first concert that made a real impression on you and made you want to play music?
Horse the Band opened for Gwar. And I wasn’t really there to see Gwar as much as I wanted to see HTB and that was a pretty intense set that really sticks out in my mind. “God what awful ruckus” was just that btw. Other than that Andrew Bird blew my mind when I got to see him! I was amazed and always appreciated the creativity behind everything he does. Oh and I only got to see the first 3 songs in Bon Ivers set and it was hands down the most I have ever been moved by music! More intense than any metal show I’ve ever been to. Hard to explain. Just amazing.

4. Is there a musician/artist you really want to work with and why?
I’m playing with two guys that I respect musically at the moment. And that’s Henry Berger and Cris Bissell of S.S. WEB. So they are def two of them and here I am blessed enough to be doing just that.

5. How did you end up in this “roots” scene?
I don’t know how I ended up here. God moves and I try to be just a stick in the current.

6. Do you believe in aliens, and if so… What does their music sounds like?
I have a shoe box under my bed and it’s full of thoughts and opinions that I have and feel I must keep to myself. A lot of the topics and beliefs I have go into that shoebox. It’s not very big but I rarely take topics out of that box to discus. If I do, I do it discreetly and I speak pretty softly about those topics. Aliens are one of those topics in that box. But if they have music it would def sound like farts.

7. Who do you believe to be the most overrated band on the planet at this moment, and why?
All of them and non of them. That’s all relative. With that said ween makes me want to start wars and set myself in fire. But someone might dig them. So high five to them. But yeah I wish I was a dead person whenever I hear ween.

8.Just like any “scene” this one will explode in time, how do you see the future of this new “roots” movement?
Eh there’s no telling really. It seems to be getting bigger and more well known. Or it could be dying off and I’m to busy listening to Joe Huber to notice. But either way I will still have heartburn and Taylor Swift will still be selling more albums than all of us combined. And I’m ok with that.

9. What band or record do you really like, but you are a little a shamed about?
I’m not ashamed of anything I like. I openly announce that I have some crappy taste in music. I do like Fatlip or Aesop rock (the two songs I have on my iPod) I love super mellow singer songwriter stuff. Ya know the real sensitive stuff perfect to take a bubble bath to fashioned with bath beads and a luffa. And that’s mainly what I listen to. I learned that I am a calmer, gentler person day to day if I listen to softer music. So instead or crankin Ed Gene in the mornings before I’ve even had enough time to get a bagel, I’ll turn on some James Vincent mccmorrow or Gregory Allen isakov. My day is just sexy then.

10. Eating dog shit or record with Toby Keith?
Depends. If we are writing a song about how Toby can’t write a song I may be ok with that. I could take the money I make from selling my soul and buy a wallaby because I want to cuddle and watch always sunny with one and she could also carry my tv remote and guitar picks in her pouch for me and I’ll never loose them.

Saturday, january 17… Sprexfest… A great new festival in Belgium hosted by Mark Sprex from The Rhumba Kings. We had the drunken pleasure to sit down with Johnny and talk movies, music, beer and bro-country… This is what we could save from all that we shot…

Two weeks ago we were invited to Sprexfest in Aarschot by Pirate Farm Radio to do some interviews with the bands playing there. This is the first we did. The Blue Eyed Bandits are great guys and you even may recognize some of their members. Kurt De Bont, their washboard player/drummer, is the main force behind Rootstown bookings and Jo, on guitar and vocals is also the frontman for Black Cat Bone Squad. Last weekend I went to Germany with these guys and they sure know how to party… Enjoy…