Last week Long Line Down came from Denmark to belgium to start their tour with Vintage Vince. On a cold tuesday afternoon that same week they showed up at our doorstep to play some songs and do an interview in our livingroom. It was a great day, check the video and enjoy. For the future, keep an eye on these young guys, they are going to make it big!

If you are a traditional psychobilly fan only, walk away and walk fast… All those that do not wear their ass as a hat and like some good, fast and hard-hitting tunes, gather around and enjoy this album from The Silverhounds!!!
Hailing from New Jersey this threesome have created an excellent mix between psychobilly, metal and punk. Sounds like a cliché you say? Well to bad for you then, this album rocks your grandmother’s girdle off. Only after the fifth song she will get a chance to put it back on, and maybe sensually strip down again to “Chained”, a murder ballad so campy (in a good way) that it would have been perfect for a murder scene in the movie Cry Baby (why is there no such scene in that movie?).

Before “Chained” the album blasts of with “Dying Breath”, which sets the tune with a pure heavy metal intro, and then evolves into a psychobilly stomper and so becomes the stepping stone for the rest of this album. The Misfits or Danzig are never far away, but you can not accuse these guys of ripping off. It’s something similar, but completely different, like the girl scouts and Al Qaeda.

Rolling into “Devil Inside” we get the full potential of this band, fast as the roadrunner, the bassdrum and doghouse provide a solid construction for Derek on guitar to go apeshit. Daniel’s vocals once again prove that he’s the perfect guy to sing these songs.

An important thing is the sound on this album. Even when the songs go into overdrive, the sound is still crystal clear. Many bands get lost in the chaos when doing these type of songs, The Silverhounds proudly hold their heads above the raging water and surf the sonic waves that they create. As an independent band without any label support I can only salute this. To wrap things up, if you like psychobilly, metal, punk or just have an open mind, check these guys out. Buy their albums, go see a show, put them on stage… Enjoy!

Two weeks ago we were invited to Sprexfest in Aarschot by Pirate Farm Radio to do some interviews with the bands playing there. This is the first we did. The Blue Eyed Bandits are great guys and you even may recognize some of their members. Kurt De Bont, their washboard player/drummer, is the main force behind Rootstown bookings and Jo, on guitar and vocals is also the frontman for Black Cat Bone Squad. Last weekend I went to Germany with these guys and they sure know how to party… Enjoy…

Holy Crow!!!! That was the first thing that came to mind when this album started to make its rounds in my cd player. The Maker (also the name of the first song) blasts of in pure aggression after a minute or so intro that sets a creepy atmosphere that you would normally find on a death or black metal album. Mikey’s first words just add to this feeling and when Joe Perreze unleashes his demons seconds later you know you’re in for a wild and blasphemous ride…

Two songs in and you’re looking for things in your living room to destroy, people to hit in the face, smash things up and go ape shit! I’ve seldomly come across an album that triggers these emotions after just two songs… “This is the best Goddamn Gallows album ever!” was all I could think, and after Seven Devils I was really sceptic if they could top it.

With every song the band drags you further into their world of darkness and despair and it just feels like home. Some months ago Baby Genius told us he hates it when the band is called a roots band and with this album they make a statement that indeed that term is not one to use for The Goddamn Gallows. The instruments used on this album would indeed suggest you where going to listen to a “roots” album, but I don’t think that even their most loyal fans could have seen this curve ball coming. It’s not that their sound has changed that much, they just brought it unto an other level. The sonic assault that is The Maker just blasts your socks off…

After seven songs the band allows you your first moment to get your stuff back together and take a deep breath with the song Ol’ Dusty Trail but after that they drag you’re sweaty, blood drenched corpse back down for a second wild ride on this roller coaster from hell that is The Maker. With this album the guys have reached a new level of musical rulership and if there ever was a metal or punk festival that has the balls to put them on the same bill with your most brutal black metal or most radical punk band, The Goddamn Gallows would still come out victorious, if people would only have an open mind…

The album is released by Farmageddon Records and recorded and mixed by Andy Gibson who we know as the steel guitar player for Hank III. Joe Perreze is responsible for the great artwork.
Good news for our European readers, the boys will be touring Europe this year! We’ve had the privileges to see them live four times and if you’ve never seen GG Allin perform, this is the next best thing. You know what… Fuck GG, the Gallows RULE!

P.S. Thank you Wendi D Story for introducing me to the phrase “Holy Crow”.
P.P.S. Don’t let the ghost of GG Allin read this, I have way to much respect for the godfather of scumfucks, but this review needed to go out with a bang…

Last saturday afternoon The Blue Eyed Bandits kicked off the first edition of Sprexfest. It’s a new festival in Belgium put together by Mark Sprex from The Rhumba Kings. We were asked to interview some bands for The Pirate Farm Radio show and hey, if we where gonna be there, we could easily film some shows and the interviews. This is the first one, the interviews will be next, but they need lots of editing…

Jumpin’ Jim, singer and guitar player for Black Cat Bone Squad came over to our place and he played some songs. The idea was to invite touring bands into our living room, let them play some songs, do a little interview and just see what happens. But before that could take place we needed a tryout. Jo (Jumpin’ Jim is his stage name) is a longtime friend and he was happy to do it. You can see the result in the video, we know it’s not perfect, we need to do a bunch of fine tuning, but I think this one will not put us or him to shame… Enjoy…


P.S.: If you can help us out with a good video editing program, feel free to contact us. You will notice that at the end something went wrong, and we can use your help…


The boys from Poland have a new album out, and the first thing that I noticed is that they are not trying to sound like an American band. They have such an original sound, the album name discribes it perfectly and not at all. What could one expect when hearing Gypsy Hobo Trash Grass for the first time?

The album is mostly banjo and guitar driven with Niko’s steady footdrumming. Matt plays a mean ass accordion and that gives the album it’s gypsy side. So where does the hobo, grass or trash come in, you ask? Well every song is a new adventure, taking you “down to hell” on the 8th track or “Marching to your grave” on the 13th. Even if they are just a two men band, the number of instruments that go in every song makes it so exciting. And yes they pull it of live! In just one song you can see Niko switch from banjo to washboard and back without losing any soul or power.

Both guys have a great voice and know when to let the other take the lead. Some of you may find it hard the first few times to listen through the accents but for me this is one thing that makes this album even better. I don’t think it would have the same impact if they would sing in perfect English. Here is where the gypsy feel comes back in.

The record has a charming live sound, and this is not an excuse for a crappy sound. You get the feeling they are playing in your livingroom or the backseat of your car when driving. I suggest you don’t play this album in your car unless you’re a skilled driver. This is a party album… Maybe not in lyrical content, but damn sure music wise…

Here at Old Style Music Nights we had the pleasure to see these guys play live so many times and feed them a good home cooked meal while they where on the road and let me tell you, apart from being great musicians they are great people. They are trying to get to the USA in 2015 and I hope they get there. Holy crow, the crowd would love it, I can see them blow the imaginary roof of a tent at Muddy Roots, they did it once in Belgium and that’s the mini version…

You can buy the album directly from the band or you can buy it online via their bandcamp page.

I know most of you folks come here to read up on all things “roots”, but if you know me, you know I’m a hardcore and punk rock fan as well. Oh, and don’t forget about metal!

Most musicians I know that now play “roots” music (for some reason, from time to time, the roots word leaves a foul taste in my mouth) were active in punk, hardcore, metal, whatever bands… And when listening to lets say, The Calamity Cubes, I hear and feel a lot more punk, then when listening to all these so-called punk rock/metal core/whatevercore hipster good-for-nothing idiots I get to see in magazines nowadays!

As a kid I grew up listening to all things heavy, I don’t think I heard a good country song before my mid-teens. Hey, we’re from Belgium, you don’t want to know what my parents listened to…
For years and years the small town of Meerhout in Belgium has been the host for the biggest festival all things hardcore and punk rock in Europe. It grew from a small gathering with a few bands to a dangerous monster that eats you up and spits you out two days later with a huge hangover, bruises, new best friends and favorite bands! I remember my first time, 1997, my now brother-in-law Sweetboy from Black Cat Bone Squad took me. He was playing in hardcore bands for years and he was the perfect tour guide. He got me drunk, I lost a shoe, I slamdanced with a bunch of cool people to Ryker’s and I think I fell in love a couple of times with some other bands that I can’t remember.

After that first time, it took me some years to get back to the festival. I got deep into the black and death metal scene and we all know that in the nineties, it was not done to cross-over scenes… At least not where I lived. But I had my guilty pleasures, alone in my room listening to Black Flag, Dead Kennedys, Disorder, Conflict, Madball… Growing up I did not care about scenes anymore and I spread my wings again and just went to see whatever I wanted!

So I returned to the festival, it changed, it changed a lot! It became popular, it became a little commercial, it was not the same. But it was still GOOD! You can’t blame the fine folks at the Groezrock office to work with big sponsors and corporate companies. This whole set up costs a lot of money… It’s not a squat show… But you can still feel the love and passion for the music. It also got a little expensive, but if you check out that line-up you forget about that in a minute. But the beer is still cheap for a festival!

When I took a look at this years line-up I giggled like a little girl. The Dwarves, Social Distortion, OFF!, Agnostic Front, Iron Reagan, Bane, Cancer Bats, Comeback Kid and about 70 more bands I think, check it for yourself in the link below. The fact that people are still complaining about why this or that band is not on the bill I can’t understand. Hey if you want to do it, do it yourself! Don’t bitch about it. What I’m trying to say here, is to keep an open mind. Enjoy the music you want to enjoy, let nobody tell you what you should listen to. That’s also the reason I book bands that I want to hear and pair them up with a band in a completely different genre…

If we are lucky we will be doing a big Groezrock 2015 report. Inny would love to shoot pictures here, and I would love to interview a couple of those bands… So folks, keep your fingers crossed, not so much for my rambling, but I really want to see those pictures (and do some interviews).

For all your Groezrock info check the link, and we’ll see you in the field, come say hello, buy us a beer and do a little dance with us.

If you have ever been to a The Goddamn Gallows show you can’t look past Baby Genius (for you smartass fuckers: insert joke about his height here…). The man is a ticking time bomb of pure raw energy waiting to explode in your face and release the demons from the darkest abyss of hell onto the stage. Besides that he’s a friendly guy… I remember my first Gallows show, Muddy Roots 2012, I was blown away! For our European readers, The Goddamn Gallows will be at Muddy Roots Europe this year and they will be touring the rest of Europe as well! Go see them, drive, fly, teleport for all I care!
This is the last one in our series of “ten random questions”, we go out with a bang…
Y’all motherfuckers need… Baby Genius!

1. Introduce yourself to our readers please.
I’m Baby Genius of the Goddamn Gallows. I beat on the brat aka the drums.

2. On what record would you have loved to play? (any style, artist, whatever)
I would love to be the new singer of Gwar.

3. What is the first concert that made a real impression on you and made you want to play music?
I was 9 years old, my mother took me to see Ratt in ’89. After that I was sold on rock ‘n roll music. I had a piece of Steven Pierce’s shirt and I would tie it around my head and stand on my dresser and sing Rat songs to the neighborhood kids.

4. Is there a musician/artist you really want to work with and why?
I’d like to work with a few different producers and I’d like to make a rap record with some hip hop artists, Killa Mike, Yella wolf, maybe Master P.

5. How did you end up in this “roots” scene?
It just kinda happened, we had an upright bass so we got lumped in with psychobilly bands and after a few years it just happened. I loved country and bluegrass so did the rest of the band but we never really where going for roots. I don’t know, just because we had a mandolin and a banjo we weren’t trying to be any type of music or genre. We just didn’t want to follow the leader, we cut our own path. Now that’s all it is, roots or die, I prefer punk, metal and rap.

6. Do you believe in aliens, and if so… What does their music sounds like?
I do believe in aliens and honestly I think they don’t have music. There is more to what they do then we could ever know and if they do have music, I bet it’s like native drums.

7. Who do you believe to be the most overrated band on the planet at this moment, and why?
The most overrated band? Way too many to name but it’s on the radio now so tune out please.

8. Just like any “scene” this one will explode in time, how do you see the future of this new “roots” movement?
Honest answer – I never cared for scenes and I think the wrong bands will be the ones that “make it”. I don’t consider our band a roots band and I hope if we ever “make it” we won’t be labeled as that, we are a punk band. I mean Modest Mouse uses a banjo in lots of songs and they are not considered roots.

9. What band or record do you really like, but you are a little ashamed about?
I listen to pop punk and rap/hip hop. I like Fall Out Boy and Blink 182.

10. Eating dog shit or record with Toby Keith?
I’d just rob Toby Keith, fuck it!

When you walk into a bar in my town and you’re in the company of a young fellow with a silver tooth and a head full of tattoos people are gonna stare at you a little. When this young fellow turns out to be a very nice guy that likes to drink and get down low (you should all see Henry’s dance moves) people don’t mind anymore and you’re in for an evening of fun and shenanigans… Boy, did we have fun while Henry was on tour in Europe with Lou Shields and Hangdog Hearts in june… And remember folks, he’s coming back and he’s bringing his boys in S.S. Web! They will be touring in June and July.

1. Introduce yourself to our readers please.
My name is Henry Berger. I play acoustic guitar/banjo and sing in Steering Ships With Empty Bottles (S.S. WEB).

2. On what record would you have loved to play? (any style, artist, whatever)
I would have loved to be a part of any Johnny Cash album. There’s not much to most of them, so I wouldn’t have stuck out like a sore thumb, and yet they were so influential and filled with amazing songs.

3. What is the first concert that made a real impression on you and made you want to play music?
For me, it was a campfire jam that I was at when I was young and at summer camp. The counselor knew every song every kid requested. I asked him to play ‘today’ by the smashing pumpkins, and ‘possum kingdom’ by the toadies. He nailed both of them and seeing him play both lead and rhythm parts of ‘today’ at the same time, absolutely blew me away and want to play music.

4. Is there a musician/artist you really want to work with and why?
I’m really having fun working with the folks I am currently working with, both S.S. WEB and The Hangdog Hearts. I’ve also done some work with a Chicago band called the Blind Staggers, filled in a little bit with Ando Ehlers, Rickett Pass and St. Christopher. All of these folks are a blast to work with. I suppose I would be into working most anyone as long as it’s a good time!

5. How did you end up in this “roots” scene?
I’m not really sure how it happened. Started playing acoustic instruments and before I knew it we were playing show in Milwaukee, Wisconsin where we are from. It was before I was legally allowed into bars so we just found one that let me in and started setting up shows. Soon enough we started touring and meeting folks in the same vain of music and found ourselves playing with a ton of roots bands.

6. Do you believe in aliens, and if so… What does their music sounds like?
I believed in aliens for a long time when I was growing up. Or I guess maybe I wanted to believe in them. I’d always be drawing pictures of aliens and had some shirts with aliens in human clothing and such. I guess I just a fell out of it when I started skateboarding. If they do exist though, in sure the jams they would put out would be super intense.

7. Who do you believe to be the most overrated band on the planet at this moment, and why?
Bob Dylan. I get what he has done for music, but I think he is the worst, ever. Just a personal vendetta, he is terrible.

8. Just like any “scene” this one will explode in time, how do you see the future of this new “roots” movement?
I certainly hope you are right, and I think it will as well. I don’t really know how it will pan out but I do see more people attending shows and showing support of all the rootsy bands. I guess that’s really all any of us could ask for.

9. What band or record do you really like, but you are a little a shamed about?
The Carter III by Lil Wayne. I’m not going to go into it but, true story.

10. Eating dog shit or record with Toby Keith?
Record with Toby Keith. I really love being in the studio and creating new songs that will be forever out there and available. So even though it would have to be with Toby Keith, I’m sure I’d still have a good time. It’s just a fun process, or at least it can and should be, so I don’t think I would mind it all that much.

We (my wife and I) first got in contact with Jason Galaz in 2012, or maybe 2011 when we had seen the line-up for the 2012 Muddy Roots Music Festival in Cookeville. I told her to look at it and asked if we should go, remember we live in Belgium, and she just said, “yeah sure, why not”. She caught me by surprise there… We had been traveling a big part of the world but never went to the USA. So we started making plans… But us being Belgians we needed to know a bunch of stuff about the festival, how to get there, how to get this and that… So I started to mail Jason on Facebook and just overloaded him with questions and he always replied with useful info. I liked that! What started out as an internet Q and A transformed into a friendship and I’m proud that I can call this man a friend. He does a great job with this whole Muddy Roots thingy and by his doing I gained so much more friends from all over the world that we came across at his festivals. We have 6 Muddy Roots festivals under our belt (3 in the USA and 3 in Europe) so we are veterans! And we owe it all to this man, enjoy!

1. Introduce yourself to our readers please.
Jason Galaz, the man behind everything Muddy Roots.

2. On what record would you have loved to play? (any style, artist, whatever)
I don’t know the first thing about playing music but I’d love to be in the room while some records are being recorded. Specifically all the early country and blue stuff like Jimmie Rodgers and Charlie Patton. Same goes with Hank Williams and Led Zeppelin.

3. What is the first concert that made a real impression on you and made you want to play music?
My first concert was Suicidal Tendencies, Metallica, Fight and Candle Box.  Alice In Chains was supposed to play but due to addiction issues  they canceled. It was 1993, I was 13 and it was mayhem.  It was in San Bernardino California which is a crazy ass place. I saw people get sliced with flattened beer cans, mosh pits around make shift fire pits, and folks were taking toilet paper rolls (the big ones) out of portapotties, lighting them on fire and throwing them into the crowd.  There were cops on horse back on the perimeter. That kind of mayhem had a huge effect on me. It was my first taste of pure anarchy in a music setting and made an impact on my young mind.

4. Is there a musician/artist you really want to work with and why? 
Many of them and most of them we end up doing so one way or another. I mean there are bigger names I can’t reach like Dwight Yoakam and The Stooges but that’s because I am not wealthy.

5. How did you end up in this “roots” scene?
I had moved to Nashville from California and was looking for music that filled the hole in my soul. I needed something deeper than what I was used to.  I started listening to Dwight Yoakam more often, came across Hank 3 and then my brother passes me a free digital cd from Soda Gardocki.  That mix right there was enough to get the wheels moving. I began looking for music I could feel more and eventually ended up finding places for them to play in my area so I could experience it live.

6. Do you believe in aliens, and if so… What does their music sounds like? 
I believe in illegal aliens. In America it would sound like Conjunto music but could also be Narco Mexicano music. The first would be my music of choice. Think Muddy Roots in Mexico, that’s what it is to me. The Hank WIlliams singers south of the border.

7. Who do you believe to be the most overrated band on the planet at this moment, and why?
That changes weekly. It is whoever is #1 on the charts. I don’t hate these people though. They are the product of a massive investment. If I had a bajillion dollars I’d put my own bands up top.

8. Just like any “scene” this one will explode in time, how do you see the future of this new “roots” movement?
There is no scene. Keep the walls off the movement allows it to grow organically in any direction it needs to.

9. What band or record do you really like, but you are a little a shamed about?
I listen to a TON of shitty music. I can’t listen to “Muddy Roots” type bands all day. It’s too good for my soul. It makes me want to just hang out and drink beer. I need to keep focused on work. I find gangster rap most motivational. They are always talking about hustlin’ and stuff.  Sometimes I’ll switch to drum n bass or even old techno. The tempo keeps me working just like it would in a gym.  Oh, and if I am feeling real cray cray I will put on Die Antword. That shit is weird.

10. Eating dog shit or record with Toby Keith?
I’d absolutely record Toby Keith and make millions off him. I just wouldn’t put the Muddy Roots logo on it. Shallow people need shallow music. That’s their problem. I gots bills yo.

You can find all the info you need about Muddy Roots at:

If you have never been to a Muddy Roots event, 2015 is the year to do so. It doesn’t matter who you are, what job you have or don’t have, what the colour of your skin is or which what country you come from. At Muddy Roots we’re all family. I can honestly say that we have had to most fun on the planet at each and every one we went to and got to know the most beautiful, crazy and kindest people in the world. So what’s holding you back?

I did not really know who Lou Shields was until Austin from Hangdog Hearts told us he was bringing him for his European tour. I had heard his name and I had a quick listen to his music in the past, and I thought it was difficult music. Lou’s music is chaotic at first, but once you really listen to it, it all comes together, puts a smile on your face and makes you stomp your feet. The moment I met Lou in Kurt’s living room (Kurt being the one who booked the tour with a little help from yours truly…) I instantly liked him. He’s an honest and caring person with no attitude whatsoever, and he’s very funny once you get to know him! Check out his website at the end of this interview for more music and his artwork. Happy reading!

1. Introduce yourself to our readers please.
My name is Lou Shields. I grew up in the South Suburbs of Chicago and later in the country outside of a small town about an hour South of Chicago, Illinois. I am an artist, musician, skateboarder, rambler, adventurer and teacher… I live to do all of these things and do not make much of a living doing these things but the trade-off is a lifetime of great experiences and that is what is most important to me. Traveling, adventuring = inspiration, inspiration = art/music, then I can share this with folks and hopefully help them to feel, maybe feel better, maybe inspire them or give them a temporary escape and clarity. I ultimately hope to help them (audience, supporters, art lovers) feel good and feel better.

2. On what record would you have loved to play? (any style, artist, whatever)
I am not really into jamming or being in bands. I am a big fan of the early blues/country musicians that played solo – one microphone, one guitar, one guy and that is all. I think I would have loved to be in the room when Charlie Patton was recording. Just to have witnessed that man’s presence, his voice, his foot stomp, and of course, his guitar mastery. But I really do not dream about playing with someone I look up to because I just respect what they did so much. I think I would probably mess it all up and get smacked in the head by Howlin’ Wolf or something…

3. What is the first concert that made a real impression on you and made you want to play music?
My first experience seeing real music performed; I was a little kid and barely remember where this happened. It was either the old Maxwell Street in Chicago or the Taste of Chicago. There was a blues band playing. I remember being that little kid that stopped and was mesmerized. My parents probably lost me for a second as they were passing by. I vividly remember staring at what was happening and was completely hooked. I had no idea what was going on but I knew that I liked it. Then I could feel my arm getting dragged along with the rest of my body as my parents were probably moving along… But my eyes, ears and mind were forever locked into that sound, what I saw and what I immediately felt when hit with that amazing early experience.

4. Is there a musician/artist you really want to work with and why?
They are all dead. But I love and respect the work of my friends and always feel really honored to play a show/share a bill with them.

5. How did you end up in this “roots” scene?
I had been playing this stuff (what I play) in my living room for 15 years before I first started hearing about some of these bands. During the early 1990s I totally hated the post Nirvana influx of bands that were flowing in every direction. I reverted to pre-war blues, roots and early country music. I also kept my kinship with 80s punk alive that I loved growing up as a skateboarder. I felt a deep connection with the musicians of that time. That music was recorded in such an honest and simple way. I also identify with the subject matter of the songs. You can learn so much about life from these old blues tunes. I did not want to hear about how “he did it all for the nookie”… That stuff just completely turned me off.
I also had the worst stage fright. So I was too scared to even get into a performance space. I was perfectly happy learning how to play the many styles of old music from the old country that I loved so much. And I started writing my own tunes. Hundreds of them… But I put it all under the bed, kept it all away from anyone. I enjoyed playing by my self in front of no one…
I got to a point later in life that I absolutely couldn’t do that any more. I felt it was time to get out there, do what I truly loved and share this stuff. I was already traveling the United States, adventuring, skateboarding and experiencing as much as possible. I started to see bands like Devil in a Woodpile with a huge following in Chicago and beyond, then .357 String Band doing what they were up to.
And I was like, ok… let’s get it going. Maybe people would actually come out and have a listen. Maybe I could actually do something with this stuff, get out and play, have fun. I was playing a lot of open mics, parties, etc… Trying to get over the stage fright thing. I started to meet music lovers around my area like Jody Robbins. I got turned on to more and more bands that were doing great stuff like the Gallows, The Cubes and all these folks I was beginning to meet from all around the US that were up to the same musical mischief that I truly love. I met guys like LoneWolf OMB and Austin from The Hangdog Hearts who I hold in such high regard as brothers.
I have found in this community of musicians, music lovers and supporters to be so much my of my own blood… We somehow have all magnetically come together. It just all happened. It had to. I am so lucky to have this in my life.

6. Do you believe in aliens, and if so… What does their music sounds like?
Yep listen to “1983 (A I Merman Should Turn To Be…)” by Jimi Hendrix.
I have seen a lot of things on the road; late at night, in the middle of the day, you name it. There are lots of unexplained phenomena out there and magic, religion nor science do it justice… Might be aliens. Might not.

7. Who do you believe to be the most overrated band on the planet at this moment, and why?
I don’t really pay attention anymore. Right now? Taylor Swift? Only because I keep seeing her fake selfie self in the grocery store, at Starbucks, on the bus… blah and I mean not the real human being but the product that is Taylor Swift which really bugs me.
I am not one to rip on other musicians, artists as long as what they are doing is real (to them). As long as they are writing the music and recording/performing the songs with integrity I have nothing to say. But if they are in it for the wrong reasons or are causing other people harm then I am not down with that. You see a lot of celebrities in this music/art world, and people become intrigued by the celebrity. It doesn’t matter if their music is any good at that point. They could be singing completely off-key, forgetting their own lyrics (or the producer’s lyrics) and these “fans” will be screaming for them. They may not even be singing or playing the instrument they are holding.
At that point it is not about the music or the art for the audience, it is about celebrity. For me I like to think of folks who like what I do as supporters, not fans. They took time to come out and hear my tunes for the first time, they are there because they happen to be in the bar and like what is going on up on the stage or they are truly into my music. For that I am truly grateful.
But you’ll always have situations like that. For me personally, it is about getting out there, having experiences and then sharing those experiences with folks via my music and art. I hope I never become overrated. I feel sorry for those empty boxes that are overrated and for the “fans” that support them.

8. Just like any “scene” this one will explode in time, how do you see the future of this new “roots” movement?
I just hope that as more and more artists, promoters, booking agents, labels, etc. get involved that those who operate with integrity outweigh the others. I hope that the support continues to grow and venues become more involved in creating “concerts” more than “gigs”. Meaning that people are there to hear/listen to the music “concert” rather than the traveling band is there doing a “gig” so that they can hopefully get enough gas money to get to the next town. Meanwhile they are competing with 10 flat screen TVs and a bar full of sports fans that are screaming over the band and while they are playing, their van gets broken into or wrecked out on the street.

9. What band or record do you really like, but you are a little a shamed about?
I always liked the movie Xanadu and had the soundtrack record when I was a kid. I had no idea it was Disco and If I heard it now I would probably cringe lol… But Olivia Newton John, well she was a first love for me.

10.Eating dog shit or record with Toby Keith?
Who is Toby Keith?